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This might be the best thing to happen — the fourth book in the Silver Ship series has needed to come out for some time.

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BC: Drop by my website or follow me on social media. Brenda Cooper writes science fiction and fantasy novels and short stories, and sometimes, poetry.

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Brenda is a technology professional and a futurist, and publishes non-fiction on the environment and the future. Her non-fiction has appeared on Slate and Crosscut and her short fiction has appeared in Nature Magazine, among other venues. See her website at www. Brenda lives in the Pacific Northwest in a household with two people, two dogs, far more than three computers, and only one TV in it.

We are here to talk about your upcoming novel, POST. This is somewhat different than your other works, what can you tell us about how you came to write the novel? BC: I actually have a rather long discussion on my website about the origins for this novel. For more, drop by www. BC: Both, of course.

The most interesting research was around electric planes. I thought you could, found some websites that supported that, and put them in. Of course, we just had the first electric plane circumnavigate the globe.

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Our social fabric is resilient in many ways, but our distributions systems and our ability to handle what amounts to a national level problem driven by a fearful population, real scarcity, storms, and illness is low. BC: Some way to write, water, food including dog food , protection from the elements, power.

Is that conversation over, or can we look forward to more? BC: The conversation with that book is over as far as I know — the creative process is a strange and wonderful thing. BC: Well, I have three more books in my head in this world, assuming readers decide they want to go back to it. Sage has only explored the world right around her, things she can walk to. In the opening scene, we see a plane. Where did that plane come from? Too much more would be spoilers….

Do you have to be in a specific place, or with a certain music in the background?


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What motivates your muse? BC: I have no time for rituals. But I write when I can. A girl can dream…. About the Author. JLN: I loved the Disney version of Sleeping Beauty, probably because of the art style, which resembles medieval illuminations.


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I was drawn to that. I also enjoyed the fairy godmothers in Sleeping Beauty and Cinderella. I love the idea of taking magic to make good things happen for others. I adored having my mom read me fairy tales from all over the world. JLN: Puss in Boots. I like anything in which the cat comes out on top. Every time I think of her throwing the prince over her shoulder, I laugh.

JLN: Anansi, the spider. I first came across him in my grammar school library. I thought he was clever and funny. He put himself into dangerous situations, but managed to get out of them with cheeky good humor. In the Grimm version, she is forced to dance until she falls down dead. Andersen was a little more gentle to her — she only loses her feet.

To give it steampunk flavor, I made the shoes a 19 th century technological marvel. I gave the ending a twist, but the conclusion fits with the spirit of the original stories. JLN: I loved the idea of playing with faerie tales. I think most, if not all, of the traditional stories could be adapted.

JLN: Fairy godparents.

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Please tell us about it. The hero, Lord Thomas Kinago, is a young noble who is creative, rich, curious, confident, and sometimes totally lacking in common sense. His aide-de-camp is a tremendously competent and intelligent man who pulls him out of trouble. I liked to read and re-read the faerie tales—retold by many authors—just to see how different authors played with the stories.

I still have a lot of those books on my shelves and re-read them often. But of the European variety I do like the Grimm versions the best. Also, the Grimms definitely had a handle on human nature—even if some of their story situations seem implausible. The commander came, ordered all to dismiss. He solemnly promised our Plantagenet he would see me skinned alive, by and by, by and by. That flaying was a sincere intention of my commander, though nothing to do with refusing knighthood. Mere personal animosity.

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Take a look to see the incredible paintings by Micah Epstein , who has worked on art for Tor. On a bright August day, the sun disappears. Sam van Oen barely escapes freezing to death in his house, as his watch stops and fire ceases to burn. He is pulled into the Nether—a nexus between ten alien cultures—where he meets Rilan and Origon, two maji who can control the musical foundation of the universe. While coping with anxiety attacks prompted by his new surroundings, Sam must learn to hear and change the Symphony, and thus reality, in order to discover what happened to his home.

The Assembly of Species is threatening to dissolve and the maji are being attacked by those they protect, while rumors grow of an ancient, shape-changing species of assassins, returning to wage war.

The Dissolution is coming. The book is finished, but I am funding more art and professional editing for the final product. If you'd like to read a space opera with music-based magic instead of space flight, and a steampunk flair, take a look! The Yarnsworld is a place where folktales and fantasy meet. It is a place where monsters from stories are real. The stories from this setting lean towards dark fantasy horror, making you think twice about your next walk in the woods as the sun begins to set. Crescent Atoll stories fit more firmly into the fantasy adventure genre, exploring the weird and wonderful aspects of a remote, detached civilization where gods and monsters walk among people.